Opportunities and Announcements: Week of September 26, 2016

11-12-16-3This past weekend was an inspiring one for this BWW organizer.

On Saturday, I got to spend the day with 14 dedicated BWW workshop leaders (and future workshop leaders) as we discussed how to continually improve the inclusiveness and depth of our workshops, how to make sure newer writers feel welcomed into workshop conversations while ensuring that experienced writers continue to feel challenged, how to keep discussions dynamic with craft exercises and prompts, and all kinds of other ideas both practical and philosophical. Under the excellent guidance of Nora Mitchell, an experienced local writer and creative writing professor, we also explored ways to deepen our own reading experiences so that we can bring those techniques and exercises to BWW workshops.

On Sunday, I got to hear several of our members read their beautiful poetry at The Best of the Burlington Writers Workshop 2016 book tour stop at Shelburne Vineyard. What a lovely, cozy environment for a reading (and the great wine was a bonus too)! Thanks to Michelle Watters, Best of 2016 poetry reader, for bringing us there. I hope we’ll be back soon.

And now, I have the privilege of inviting you—our members—to the first-ever Burlington Writers Workshop Annual Member Meeting on Saturday, November 12 at Main Street Landing in Burlington.

This event is your opportunity to hear firsthand about all the BWW has accomplished this past year to meet member goals—and to help shape the future of our shared community. It’s also a time to connect with other members you may not see regularly in workshops or on the Mud Season Review staff, help to recognize and celebrate our many dedicated volunteers, share your talents with the BWW community, and support the funding that makes everything we do possible (while picking up some great holiday gift-giving items through our auction & book raffle).

Here’s the plan:

4 p.m.: Board presentation of 2016 activities and survey results & open member forum. Bring your thoughts, questions, and ways you can volunteer to share.

5 p.m.: Member reception and auction. Bring your enthusiasm, your friends, and your donations to purchase some excellent gift-giving items to give to friends and family while supporting the BWW. Look for more information coming soon.

6 p.m.: Member open mic. Bring your stories, songs, and poems for our member open mic night. We’re hoping this is the kickoff of many more BWW open mic nights to come.

And don’t forget to take the member survey before you arrive! The 2016 member survey will be open from October 1 – October 14, 2016. Survey results will inform the framework of the open member forum. Check back here, or look for upcoming Opportunities & Announcements emails, for the link to the survey on October 1.

If you’re looking for ways to get more involved in the BWW—or if you’re already a dedicated member and want to continue helping to shape our direction—this is the time. RSVP to save your spot now >

Opportunities


call-for-subsCall for submissions:
 The Best of the Burlington Writers Workshop 2017

This is an exciting year to be part of the anthology, as 2017 marks our 5-year anniversary of publishing the work of BWW members. We’re looking for your best work in fiction, nonfiction, and poetry—and we’d love to hear from voices both known and new to us.

Deadline for submissions is October 31, 2016. Submit your work now >

Workshops

Elizabeth Powell

Poet Elizabeth Powell

Workshop your poetry with Elizabeth Powell

We have an excellent opportunity for the poets in the group coming up on Monday, October 10 in Burlington. Guest poet Elizabeth Powell will be joining us to lead the Monday Night Poetry Workshop.

Elizabeth is the author of “The Republic of Self,” a New Issue First Book Prize winner, selected by C.K. Williams. Her second book “Willy Loman’s Reckless Daughter: Living Truthfully Under Imaginary Circumstances” won the Robert Dana Prize in poetry, chosen by Maureen Seaton, and will be published by Anhinga Press in 2016. In 2013, she won a Pushcart Prize. Powell has also received a Vermont Council on the Arts grants and a Yaddo fellowship. Her work has appeared in Alaska Quarterly Review, Barrow Street, Black Warrior Review, Ecotone, Harvard Review, Handsome, Hobart, Indiana Review, Missouri Review,Mississippi Review, Slope, Sugarhouse Review, Ploughshares,Post Road, and elsewhere. She is editor of Green Mountains Review, and associate professor of writing and literature at Johnson State College. She also serves on the faculty of the low-residency MFA in Creative Writing at the University of Nebraska-Omaha and the Vermont College of Fine Arts MFA in Writing and Publishing. Born in New York City, she has lived in Vermont since 1989 with her four children.

Save your spot now >

And sign up to have your work reviewed by Elizabeth >

Readings & Events

Four Poets Read at the BCA
Sunday, October 2, 4 p.m.

kerrins-eventFrequent BWW guest poet Kerrin McCadden is reading at an event hosted by another supportive BWW partner, Burlington City Arts (BCA). “Four Poets Read” features Kerrin along with poets Paige Ackerson-Kiely and Justin Boening (winner of the National Poetry Series for his debut collection, Not on the Last) as well as fiction writer Tom Paine. Learn more > 

Best of 2016 Book Tour: Reading in Middlebury
Saturday, October 22, 4:30 p.m.

Best of the Burlington Writers Workshop 2016 anthologyThe next stop on the Best of 2016 book tour takes us to Middlebury! Hosted by our Best of 2016 fiction editor, Elizabeth Gaucher, and BWW Middlebury members Ann Fisher and David Weinstock, this event will feature readings from some of the anthology’s talented writers: Zoe Armstrong, Dennis Bouldin, and Cynthia Close. Writers from the Middlebury Chapter will also read. RSVP now >

 

Announcements

Meet our new Mud Season Review editor-in-chief

Lauren Bender, editor-in-chief, Mud Season Review

Lauren Bender, editor-in-chief, Mud Season Review

On September 20, Rebecca Starks, our founding co-editor of Mud Season Review, passed on the leadership of the journal to Lauren Bender, a dedicated BWW volunteer, Burlington poet, and former co-editor of Green Mountain College’s literary journal, Reverie. I recently had the chance to talk with Lauren about her background and her goals for the journal. Check out our conversation and get to know Lauren a bit. Read the interview >

Flynn Blog

BWW members regularly write for the Flynn Center’s blog. Check out these recent posts:

Lorraine Ryan previews Ifrikya Spirit, coming to FlynnSpace on September 30 >

Colleen Ovelman previews Ben Folds, who recently performed on the Flynn MainStage >

Congrats…

Congratulations to Bill Torrey, whose debut collection of short stories, The Ta Ta Weenie Club, was recently published by Green Writers Press. Bill will be holding his book launch at Phoenix Books on October 5 at 7 p.m. You can learn more about the book at billtorreyvt.com.

Joan Furchgott and Brad Sourdiffe founded Furchgott Sourdiffe Gallery 25 years ago in the heart of Shelburne Village. BWW member Cynthia Close provides some history and surveys the three 25th anniversary exhibitions that celebrate the gallery’s 25 years in a recent article for Vermont Art Guide. Read the article >

and thanks…

Thank you to the dedicated workshop leaders (and future workshop leaders) who attended Saturday’s workshop leader retreat: Barbie AlsopKarin Ames, Wendy AndersenCathy BeaudoinMartin Bock, Dennis BouldinRosa CastellanoAnn FisherDeena FrankelEtiane GeorgeEva GumprechtWalt MahanyNatasha Mieszkowski, and Amanda Vella. And thank you to our retreat facilitator, Nora Mitchell.

Thank you to Michelle Watters for coordinating and hosting The Best of 2017 book tour reading at Shelburne Vineyard. And thank you to the poets who read at the event: Zoe Armstrong, Mark Hoffman, Spencer Smith, and Jimmy Tee.

Opportunities and Announcements: Week of September 12, 2016

best-of-2017-5Want to have your short story, essay, or poems included in The Best of the Burlington Writers Workshop 2017?

Our call for submissions is now open! This is an exciting year to be part of the anthology, as 2017 marks our 5-year anniversary of publishing the work of BWW members. We’re looking for your best work in fiction, nonfiction, and poetry—and we’d love to hear from voices both known and new to us. Deadline for submissions is October 31, 2016. Submit your work now >

Or, would you like to be a Best of editor?

We’re also putting together our editing team for this year’s anthology. Whether you’re an experienced editor or a writer looking to learn more about the editing process or the marketing and book sales side of publishing, we have a role for you to consider. Working on the Best of is an excellent way to build connections with other writers and editors in the community while also building your editing and publishing experience—and credentials—in an open and collaborative learning environment. Deadline for applications is September 30, 2016 or until positions are filled. Apply now >
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The World Needs Carnival Barkers, Too

At the risk of giving too much attention to a certain Huffington Post article, I really must comment on a few ideas its author shares.

The premise of the article is that you must not, under any circumstances, publish several books in a single year—that you must take your time and publish less frequently, because that, ladies and gentlemen, is how you create art.

It’s directed at self-published authors, who are allegedly being told that publishing often (up to four times a year) is a good idea.

Frankly, I don’t know if publishing so often is a good idea for you. Maybe it is. Maybe it isn’t. It’s not a good idea for me personally because I simply don’t feel comfortable writing that quickly. It ain’t my style. (Also, I have a full-time job.) But depending on your goals and your abilities as a writer, it could be a perfect approach for you. I don’t know you, my dear writer friend, so I won’t presume to know what’s good for you.

That’s why I object to the author’s blanket prohibition on publishing often as a legitimate career path. She writes:

“No matter what experts tell you, no matter what trends, conventional wisdom, social media chatter or your friends in the Facebook writers group insist upon, do NOT write four books a year. I mean it. Don’t.”

I don’t dispute that writing quickly could result in crappy prose or poetry, as the author maintains. In fact, I agree that writing too quickly is likely (though not guaranteed) to make your writing suck.

But I object to the author’s assumption that self-published authors don’t care about quality. Every single self-published author I’ve met—even the ones who choose to publish multiple titles in a year—has cared deeply about quality. The author of the article assumes that the self-published author prioritizes quantity over quality because quantity is mentioned first in Bowker’s advice to them. Based on my knowledge of self-published authors, I can only assume that quantity is mentioned first because the need to write high-quality stuff is such an obvious given that it need not be mentioned.

(For what it’s worth, Bowker sells ISBNs, so they have an incentive to tell self-published writers to publish often. It’s unclear to me how prevalent the “publish often” approach truly is, and the article does not shed light on it any meaningful, data-driven way.)

So to the author of this article, I say: Perhaps tending to your own garden would be the best approach.

Here’s why:

If you throw out edicts like, “Don’t publish four times a year,” you’re telling those writers who want to publish frequently that their approach is wrong, and there is no possible way you could know that it’s wrong if you don’t know what a given writer wants to achieve.

In your “clarification,” you write that your article isn’t a suggestion that there’s just “one way” to do things. You may believe that there are many ways to be a writer, but you are saying pretty clearly that this particular way is wrong. And that’s where you’re wrong.

Maybe it’s because I’m now living in the “Live Free or Die” state, but I feel like writers should be left to write and publish or not publish as they please, without unwarranted criticism from other members of the writing community. Such criticism creates an atmosphere of self-doubt, and self-doubt can crush a writer’s productivity. The article is the opposite of supportive, and writers need support from their peers to thrive, even if that support comes by creating an atmosphere that welcomes all comers.

So if you disapprove of someone publishing four times annually, here’s what you can and should do about it:

Nothing.

Nothing—because it doesn’t affect you if someone puts four lousy books on Amazon in a given year or over the course of a decade. Maybe those prolific and hasty folks will further damage the bad reputation that self-published books have. But maybe not. I believe discerning readers will know the difference between well- and poorly-written books and ignore the word on the street about self-publishing as a practice.

On The Bookshelf at New Hampshire Public Radio, I give self-published books and traditionally published books equal consideration. I can see through the nonsense. The quantity of books in the marketplace doesn’t make my job harder, nor does it diminish me as a writer. So it’s not for me, or anyone, to say how often self-published authors should release new work.

The truth is that not many years ago some people at elite institutions and in the publishing world issued similar commands about self-publishing in general. They argued that self-published authors wouldn’t have access to the same editorial guidance, savvy marketing professionals, or design specialists who know how to make a book a thing of beauty. And they were wrong—both in their assessment of the self-publishing world and their decision to issue “advice” when they had no authority to do so.

There are lots of different kinds of writers out there. There are writers like Donna Tartt and Anthony Doerr who each take about a decade to write their novels. There are writers like Stephen King who write at least one each year. And there are some who pump them out every three months. It’s how they work. And there’s not a damned thing wrong with that.

The author of the article writes: “You are a professional author working [on] your book your way. Be an artist, don’t be a carnival barker. Be a wordsmith, not a bean-counter. Be patient, not hysterical. Transact wisely, but don’t lose your soul in the process.” (Italics original, but I added the “on” because, well, it seems like someone was writing/editing too quickly.)

I really don’t understand what “your way” means in this context. After all, the article is slamming the very people who make it their way to write and publish often. “Your way” must mean the slower pace the author herself prefers, though I hesitate to say for sure what it means. But I digress.

Carnival Barker at the Vermont State Fair, 1941

Carnival Barker at the Vermont State Fair, 1941

In my view, it takes all kinds of writers to serve the diverse reading public. Some readers like the work of the so-called “artists.” Others like the work of “carnival barkers.” Some like both. In fact, lots of readers devour the carnival barker books while waiting for the artists to get around to publishing their latest opus. One could argue that carnival barkers keep readers in the habit of reading while they wait for their favorite “artist” to produce something new.

So carnival barkers should keep barking at their own pace, and ignore the call from artist-types to slow down. Such calls are reminiscent of that especially wonderful kind of vegetarian—the kind that has chosen not to eat meat and tells everyone else at the dinner table that they too should go veg. What’s more annoying than that?

So hurry hurry hurry, step right up, ladies and gents, because there’s something fun underneath that circus tent, and fortunately for you, there are lots and lots of tents.

Meet The Editors

We’re proud to announce that we’ve selected editors for the fiction, nonfiction, and poetry to be published in The Best of the Burlington Writers Workshop 2015. All the submissions are in the hands of these capable editors.Zoe Armstrong, poetry editor.

zoearmstrong2Zoe Armstrong will select and edit the poetry. She is a spoken-word poet and essayist. Her work has been published in Wolf Moon Press, Curve Magazine, HSU Matrix, and activist ‘zines. Her radio program “Patterns of Chaos” has been featured on community radio stations in Maine, Vermont, and California. She is a Ver-mainer living in Burlington.